Phantom of Desire

Visions of Masochism in Art

26.04. - 24.08.2003

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Duration

26.04. - 24.08.2003

Location

Neue Galerie Graz

Curators

Peter Weibel

Co-curators

Michael Farin, Christa Steinle, Elisabeth Fiedler

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About the
Exhibition

In co-operation with Graz 2003 – Cultural Capital of Europe


Further information

Kuratorische Assistenz: Peter Peer, Anke Orgel

Ausstellungsarchitektur: Manfred Wolff-Plottegg

Two classics from literature, “Venus in Fur” (1869) and “Psychopathia sexualis” (1886) are directly linked to Graz. The novel “Venus in Furs” is seen as a prototype for the writings of Leopold von Sacher-Masoch and his wife Wanda, as well as for masochistic phantasies in general. Although Sacher-Masoch as a person has fallen almost into oblivion, his work has gained a lasting effect. Based upon Sacher-Masoch's novel Richard Freiherr von Krafft-Ebing, the Grazer physician (1840-1902), coined the term “masochism” in his medical standard work “Psychopathia Sexualis” (1886) as the description of a sexual disposition combining pain and lust. Since then masochism has become the subject of many analysises and studies in film, literature, philosophy, music and the fine arts which reflect this phenomenon in its manifold socio-historical contexts.

On the basis of these facts, a history of sexuality in the arts has been conceived in the form of an exhibition that follows Sacher-Masoch's influence from the end of the nineteenth century till the present. The exhibition should reflect artistic acceptability, namely how the social, political and psycho-analytical implications of masochism were received in the art world: The masochistic body, the profile of the cruel woman, dominant relationships and masochism as the explicit thematisation of power in relationships, fetish and ritual as important elements of setting a masochistic scene and masochism as a psychologically-defining category of, amongst other things, femininity. Here, art is based on the visual aspect, more exactly the visual representation of masochism. The visual representation does not only mean representation of matters sexual, but rather the whole complex of punishment and resistance, controller and victim, immersion and inversion and lust and harm should be illuminated.

Co-Curators: Michael Farin, Christa Steinle, Elisabeth Fiedler
Assistance of Curator: Peter Peer, Anke Orgel
Exhibition architectur: Manfred Wolff-Plottegg

Exhibiton Catalogue
"Phantom of Desire. Visions of Masochism in Art"

Editor: Peter Weibel
2 volumes, 477, 511 pages, numerous illustrations
belleville publishers, Munich 2003
ISBN 3-936298-24-6
English supplement: essays and texts (248 pages)

Artists

Glimpses

Nobuyoshi Araki, "Untitled" (from the "Bondage" series), 1996/97 C-Print, 60 x 48 cm

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Hans Bellmer, "La Poupée", 1935 Silbergelatine Print, 40,5 x 30,5 cm

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Joel Peter Witkin, "Woman once a Bird", 1990 Silbergelatine Print, 94 x 77,5 cm

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Gilles Berquet, "Poupée Mécanique", 2001 Silbergelatine Print, 50 x 60 cm

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Birgit Brenner aus "Angst vor Gesichtsröte", 1999-2001 Digitaldruck auf PVC-Gittermaterial, 220 x 160 cm

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Günter Brus, Titelblatt aus den Illustrationen zu "Venus im Pelz", 2003 Mischtechnik/Papier, 26 x 18 cm Courtesy Günter Brus

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Larry Clark aus "Teen Lust", 1972/73 Silbergelatine Print, 35,4 x 27,8 cm

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Salvador Dali aus "La Vénus aux Fourrures", 1969 Kaltnadelradierung, 31 x 23,5 cm

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Wim Delvoye, Birdhouse #10, 1998 Mixed Media, 45 x 40 x 35 cm

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Fergus Greer, "Fetish Look", vor 1999 Silbergelatine Print, 60,8 x 51,2 cm

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Eikoh Hosoe, "Ordeal by Roses #38", 1963 Silbergelatine Print, 50 x 40 cm

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Mike Kelley, Bob Flanagan, Sheree Rose "100 Reasons", 1991 VHS, 6:41 min, color, sound

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Robert Mapplethorpe, "Joe, New York City", 1978 Silbergelatine Print, 34 x 32,5 cm

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Pierre Molinier, "Untitled", 1965/67 Gelatinesilberabzug, 11,6 x 16,7 cm Courtesy Sammlung Goetz

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Jack Pierson, "For Jonnie Ray (Cry, Cry, Cry)", 1995 Collage, Papierschnitt, 107 x 36 cm

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Philippe Ramette, "Le suicide des objets", 2001 Holz, Seil, Dimension variabel Courtesy Galerie Xippas, Paris

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Gerhard Rühm, "Peitschzeichnung (Aktionsrelikt)", 1975 Filzstift auf Papier, 204 x 157,5 cm

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Julia Scher, "The Surveillance Bed III" Mixed Media, 130 x 240 x 150 cm

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Rudolf Schlichter, "Zusammenkunft der Fetischisten und manischen Flagellanten", um 1923

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Cindy Sherman, "Untitled", 1999 S/W-Fotografie, 99 x 66 cm

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