In a society dominated by Christianity, the cross is an unmistakable symbol of Jesus’ resurrection. By offering us the opportunity to hammer a nail into one of the crosses ourselves, Ono allows us to take on a new, active role in this process of crucifixion. At the same time this means that we become accomplices. Cultural, religious, political and artistic boundaries can be transgressed by picking up a hammer. This gives rise to a new sensitivity for the setting of activity and establishes a connection between collective and individual memory.
