XENOS

Democracies in Danger

06.11. - 10.12.2024

Image Credits

Duration

06.11. - 10.12.2024

Opening

05.11.2024 15:00

Location

Art in Public Space

Curators

Maryam Mohammadi and Eva Ursprung

Costs

free

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About the
Exhibition

For this cooperation between Xenos and the Institute for Art in Public Space Styria 9 artists and collectives will create temporary interventions concerning the topic of Democracies in Danger in the public space of the city Graz.

OPENING: Tuesday, 05/11/2024, 3 pm

Location: Europaplatz Graz

Introduction by Elisabeth Fiedler (Institute for Art in Public Space Styria), Joachim Hainzl (XENOS), Maryam Mohammadi (XENOS) and Eva Ursprung.

This is followed by a guided tour, artist talks and a performance by The Cake Escape at the Landhaushof Graz

XENOS

"We have learned to live with each other." These words are inscribed on Gerhardt Moswitzer's monument on Europaplatz in Graz to commemorate the bloody February clashes 90 years ago, when people of differing ideologies in Austria, including Graz, fought each other with weapons.

Following the end of Nazi rule and World War II, since 1945 there has been an effort to promote human rights and peaceful coexistence in democratic states as they continually evolve. These liberal democracies represent, for many, the highest and most open value system.

However, our democracy is increasingly being stretched as a concept, misused, and its cornerstones — such as the rule of law, transparency, and the separation of powers — are progressively undermined. A pandemic that fatefully connected and at the same time divided people, growing crises, wars, natural disasters, and the resulting social shifts are changing the way we live together. Authoritarian regimes and powerful leaders are challenging or even displacing social and political achievements. Their political rhetoric, in the guise of simple solutions for complex situations, is a noisy clamor seeking to obscure people’s judgment and ability to reflect. In several EU countries, far-right movements are on the rise, and in the US, a new Trump presidency looms. Likewise, in Central and South America, Asia, and Africa, mostly right-wing populist policies promise a new salvation.

In the shadow of world-changing elections and opening on the day of the US presidential election, our art project invites artists and artist collectives from several continents to make visible statements on this issue. Their interpretations of current and past political conflicts will be presented in banners, murals, installations, etc. in public spaces across Graz from November 5th until Human Rights Day. These sites are deliberately chosen for their historical ties to the birth of democracy, its struggles, and its defeat during times of autocracy and dictatorship. By critically engaging with the dangers facing democracies in the form of public art, we aim to contribute to the respect and defense of democratic values, together with our cooperation partners.

- Eva Ursprung, Maryam Mohammadi, Joachim Hainzl, and Elisabeth Fiedler

Supporting programme

27/11/2024, 6 pm: Staying (un-)quieted?

What does the election outcome mean for artistic freedom and cultural policy?
Panel Discussion
Anita Hofer (KiG! Kultur in Graz), Lidija Krienzer-Radojević (IG Kultur) and Evelyn Schalk (ausreißer)
Moderation: Eva Ursprung
KiG! Kultur in Graz, Lagergasse 98a, Graz

03/12/2024, 6 pm: Election campaigns at the expense of human rights?

On the culture of debate in the Styrian federal elections
Lecture and Discussion
Daniela Grabovac (Antidiskriminierungsstelle Steiermark) and Joachim Hainzl (Xenos)
Graz Museum, Sackstraße 18, Graz

09/12/2024, 3 pm: Curators’ and Artists’ Guided Tour

Meeting Point: Schauspielhaus Graz, Hofgasse 11, Graz

Locations
Artists and Collectives

IRWIN, Reference Points 38/88

In the catalogue Bezugspunkte 38/88 (1988), Werner Fenz wrote: "Bezugspunkte refers to history as the triggering factor of the present; it does not mean a systematic analysis but a look into the past with today's awareness, because 'history does not repeat itself.'"

However, the quote "History does not repeat itself" is incomplete. If we are quoting Voltaire, we must continue: "Man always does."

Nearly forty years ago, many of us believed that if you did not know your history, you were doomed to repeat it. It was a time when it seemed that the general situation was going to develop from good to better, that divisions of the past would be overcome, and that democratic changes would unite the entire world. The world was still young. This was just before the fall of the Berlin Wall.

Now, in the future—when the future no longer seems nearly as optimistic, when many have the feeling that there is no future at all for them — this stark contrast between then and now offers a completely new reference point for Bezugspunkte.

Location: Europaplatz

Image Credits

Katcha Bílek & Consuelo Méndez, Work in Progress

A mural is not a painting on a wall. A mural is an intervention on a wall that occupies public space, that takes into consideration the human context around it. It is to be seen from different angles and distances as the viewer moves past it. 
The work on Maria-Stromberger-Gasse proposes thought, feeling and images about the circularity and cycles of democracy as an organic concept. Democracy is in danger? Yes, it is throughout the entire planet earth in many ways.

Our challenge as image makers is to express visually these ideas about democracy as our starting point. As two women artist-collaborators, filtering their inner worlds, we will attempt to speak out our resistance to a politics that does not seem to be working efficiently to the benefit of humanity, nature and the earth.

 

Location: Maria-Stromberger-Gasse 9

Thanks to the parish of St. Andrä for providing the wall space!

Image Credits

Zoncy Heavenly, Wisdom is with womankind from all eternity

“Growing up as a Burmese literature enthusiast since middle school, I wondered why no proverbs encouraged females to uplift their souls or reach their goals. Instead, many force Burmese women to conform to cultural values within their society, from daily etiquette to standards of religious conduct. Four generations of extreme patriarchal military regimes in Myanmar devalue women's contributions and have never given room for progress and change in contemporary Burmese society.”

In her text-based mixed-media project Zoncy challenges the meanings of the patriarchal proverbs that often reinforce gender stereotypes and limit women's potential. Her aim is to reverse or counter-argue and reclaim the potential, ability, power, and wisdom, which have always been with womankind. 

 

Location: Kunsthaus Graz, Lendkai 1

Image Credits

Markus Wilfling, Austrian Parliament: For Sale

It seems as if democracy in Austria can't stand itself

The political developments of recent decades and the recurring revelations of corruption and abuse of power in politics have caused hope for change to fade. In this regard, a new form of collective amnesia seems to have spread among the Austrian population, as evidenced by the results of the last national election.
The main stage, Parliament, where National Council members gather—sometimes insulting, ignoring, or applauding each other, depending on their faction—appears to be turning into a group therapy room, where democracy risks being reduced to nothing more than an artistic statement (by Heimo Zobernig) pinned to the wall.
As history shows, democracies can abolish themselves if democratic tools, like the right to vote, are used by anti-democratic parties to gradually sell off democratic principles.
Should the spirit of democracy evaporate from this building, it might face the same fate as churches that have lost their meaning: released for sale.

 

Location: Schloßbergplatz / Kriegssteig

In Cooperation with: ausreißer

Image Credits

Helene Thümmel, February 1934

"Thus came the memorable coup attempt in mid-February 1934, which I and my family, at the center of a revolutionary circle, had to personally witness with all its horrors."

These were the words of Commercial Councilor Franz Steiner (1869-1960), founder of the Steiner Bread Factory, describing the events of February 1934, when "workers everywhere [...] took up arms" and barricaded themselves in Eggenberg. He recounts how he retreated to the back of the house with his family and a few employees, while sending his factory workers across the fields to return home, hoping they would find safety.

He and his son took turns to crawl into the office to maintain phone contact with the "city." His experiences are translated into drawings by his great-granddaughter, the artist, to serve as a reminder of the dangers of political radicalization.

 

Location: Graz Museum, courtyard, Sackstraße 18

In Cooperation with: Graz Museum

Image Credits

The Cake Escape, IN CAKE WE TRUST

Like a cake that is made from a variety of ingredients, democracy is built on the diversity of people, opinions, and experiences. It is about creating something greater together by valuing the individual contributions of all.

'In Cake We Trust' stands for the belief in the collective, where it is not an overarching power that decides but the community itself—through dialogue, exchange, and the recognition of diversity. Just as a cake only succeeds when all of its ingredients harmonize, a democracy can only remain strong through trust in its people.

 

Location: Landhaushof, Herrengasse 16

Image Credits

Franz Kapfer, Atlases

Franz Kapfer’s work questions the historical and contemporary practices that, often in an internalized way, shape social life.

His project Atlases sheds light on the militarized present. Masks, like the fabric mask depicted, have gained prominence in public spaces in recent years due to radicalized groups, reaching a threatening level. Kapfer raises the question of whether it is our reality that the constant possibility of violence must lead to the endangerment of democracy. The mask anonymizes—just as identity can be concealed on the internet. Ultimately, it does not matter whether a real person is hidden behind it or not.

Kapfer’s works testify to the survival, the inability to die—or perhaps the unwillingness to let die—of a myth, one whose life force is unclear. Or is there something like a destructive, fascist primal instinct that seeks to infiltrate and destroy democracies?

 

Location: Schauspielhaus, Hofgasse 11

In Cooperation with: Schauspielhaus Graz

Image Credits

Doris Jauk-Hinz, LIVING DEMOCRACY

The socio-political climate is getting colder and colder, both nationally and internationally. The fragile and already brittle basis of coexistence is threatening to collapse and undermine social achievements. Triggered and reinforced by extreme right-wing political tendencies, highly dangerous populist ideologies are spreading like wildfire in the media.

Art poses deeper questions. Democracy, which has been practiced as a matter of course over a long period of time, appears to be permanently secure and untouchable. But doesn't this supposed security harbor the danger of distancing ourselves from democratic ways of life? LIVING DEMOCRACY EVERYDAY could stop this development.

 

Location: KiG! Kultur in Graz, Lagergasse 98a

In Cooperation with: KIG!

Image Credits

Maryam Mohammadi / Eva Ursprung / Joachim Hainzl, See, Listen, Speak Out

Right-wing extremists and autocrats are reaching for power even in Western democracies, threatening democratic achievements such as human and minority rights.

The three monkeys became popular in the Western world, perhaps not coincidentally, with the interpretation: "See no evil, hear no evil, speak no evil!" By looking the other way, tuning out and keeping their mouths shut when people are discriminated against and persecuted based on their origin, skin color, language, religion, gender, age or appearance, many people continue to practice a kind of “neutral” apathy to this day. A similar indifference applies to the global exploitation of nature, fellow creatures, the climate crisis, and its effects on this planet.

Democracy, however, gives us the power of choice. This calls for action: to look, to listen, and to speak out. Democracy is never a status quo but always a process—one of participation and engagement. It is something we must constantly work on, especially when it is difficult, requires courage, and entails responsibility.

Location: Justizanstalt Graz-Karlau, Mauergasse

Image Credits