PARAVENT HISTORY(S)

A transcultural dialogue between Ôsaka and Graz on the occasion of EXPO 2025

Image Credits

Commissioned artists

Curatorial and organisational support

Martin Baasch

Presentation date:

18.03.2025, 11am
Duration Folk Life Museum at Paulustor:
18.03.-30.03.2025
Duration Expo 2025 in Ôsaka:
19.06.-20.06.2025

 

Location of the presentation

in Graz: Folk Life Museum at Paulustor
in Ôsaka: Austrian Pavilion

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Austrian Pavilion at the Expo 2025 in Ôsaka

Following the great success of the exhibition project Doubtful Practices / Practices of Doubt 2021/22 at the Austrian Pavilion at the Expo in Dubai, the Province of Styria has once again decided to present itself with explicitly artistic positions at the Expo 2025 in Ôsaka.

The Ôsaka-Paravent

The starting point of the project is the famous Japanese “Ôsaka Paravent” from the early 17th century, which is today located in Eggenberg Palace in Styria. The silk screen remained unrecognized as a wall decoration in Eggenberg Castle for over 250 years and is one of the most important works of art in the palace. It was only during the fundamental restoration of the state rooms between 2001 and 2004 that its original form was reconstructed as an eight-part screen.

The original silk screen showed a unique and previously unknown view of Ôsaka Castle and court life during the reign of TOYOTOMI Hideyoshi - a time in which Ôsaka rose to become the economic metropolis and cultural center of Japan.

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Artistic positions in dialog with the original

For its contribution to the Expo 2025, the Province of Styria has commissioned two Styrian artists to enter a dialog with the original Paravent and to contextualize and retell it in their very own artistic way.

Both projects pay homage to the historical original and its immense significance. Through their contemporary artistic approaches, they open up a transcultural dialog about the multifaceted connections between Ôsaka Castle and Eggenberg Castle, the Kansai region and Styria, as well as between Japan and Austria, the past and the present.

Before the screens make their way to the Expo 2025, visitors will have the unique opportunity to experience the artworks in a preliminary presentation from 18.03. to 30.03.2025 at the Folk Life Museum at Paulustor.

Voices on Expo

Image Credits

Martin Baasch

Kuratorische und organisatorische Betreuung

Paravent History(s) is an invitation to immerse oneself in the diverse connections between Graz and Ôsaka, the past and the present. Based on the original “Ôsaka-Paravent”, the artists commissioned by the Province of Styria retell the story(s) of the paravent in very different artistic ways, thereby making the diverse connections visible.

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Marko Mele

Scientific Director of the Universalmuseum Joanneum

The Ôsaka Paravent at Schloss Eggenberg is a unique cultural treasure that opens a fascinating dialogue between the cultures of Japan and Austria. With Paravent History(s), we create a platform to revitalise this exchange through contemporary art in an impressive way. The Styrian contributions blend tradition with innovation, offering an inspiring exploration of the cultural connections between Graz and Ôsaka.

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Karlheinz Kornhäusl

Provincial Councillor

With Paravent History(s) at the Folk Life Museum, the Universalmuseum Joanneum presents an impressive Styrian prologue to this year’s Expo in Ôsaka, Japan. Through their artistic approaches, studio ASYNCHROME und Tom Lohner create a contemporary discourse around the sensational discovery of the Ôsaka Paravent at Schloss Eggenberg. The Provincial Government of Styria places a strong artistic focus at this year’s world exhibition and establishes itself internationally as a region of art and culture once again.

Image Credits

Alf Netek

Project manager Expo Austria

The Ôsaka Paravent holds special importance not only for the relationship between Graz and Ôsaka, but also for the ties between Austria and Japan. We are delighted that the Provincial Government of Styria, together with the Universalmuseum Joanneum, brings this connection to life through contemporary art, and that we can present the outcome of this collaboration at the Austrian Pavillion.

A project of: