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Alfred Lenz, Silence of the Many
8th Water Biennale Yahoos Garden 2023/24
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Date
17.05.2024
Time
3pm
Location
Art in Public Space
Meeting point
former sewage plant, Liebfrauenweg, 8280 Fürstenfeld
Costs
for free
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About the
Event
This sound installation was created as part of the 8th Water Biennale 2023/24.
In his book The Unbearable Lightness of Being Milan Kundera describes the sewage system as the “Venice of shit”. “In modern bathrooms the toilet bowls sprout from the ground like the white buds of water lilies. The architect does everything to make the body forget its misery and one does not know what happens to the bowels waste as it is swallowed by rushing water coming from a cistern.
Despite reaching into our living spaces like tentacles, the pipes of the sewer system are carefully hidden from our view, and we do not know of this invisible Venice of shit above which our bathrooms, our bedrooms, our dance halls, and our parliaments are built. The toilet – the body, which sits on the extended end of a sewage pipe.” If we follow Kunderas observations, the heart of this subterrain sewage system comes to the surface as an inverted city space.
Our focus is on the architecture of the sewage plant, which was planned and realized whiteout aesthetic intent. The former sewage plant, which was used to collect rainwater for the last 27 years, is transformed to a sound body by Alfred Lenz’ installation and provides space for new content.
A rubber tube with a diameter of two meters holds together a star shaped construction made of wood, on which countless drum cymbals with different sound characteristics are loosely mounted with rubber ropes. Inside this construction is an electrically controlled vibration-generator, which puts the object in a state of vibration. The countless resonating cymbals turn into a choir, an inseparable unit. The water surface becomes a membrane, and the architecture becomes a body of resonance and reflexion. The expanding soundwaves become visible on the surface of the water.
The sound of the cymbals in an intensified way and limited to a moment could be read as the noise background created by the erosion forming the land over thousands of years.
Lenz/Pedrotti
