Helper of Christians and Queen of Heaven

Mary, the mother of Christ, is regarded as the most important saint. The early church already started to worship her as Mother of God and for preparing the way for Christ. As the helper of Christians she enjoys great admiration. People turned to her for protection from the multiple perils of their time such as epidemics, famine and war against which they were defenceless. The worship of the Mother of God knew no social rank. Whether clergy, knights or burghers, all found comfort in Mary's sheltering mantle.

The Gothic style that disseminated all over Europe originally started in France. It was from here, too, that the culture of courtly minnesang created a new concept of women. It evoked the ideal of grace and beauty, which are symbols of both purity and completion. The cult of the Virgin Mary was deeply influenced by this. As the Queen of Heaven, the Mother of God was transformed into a noble lady - Notre Dame. Unlike hardly any other carving, the Admont Madonna exemplifies this ideal. Earthly beauty and celestial regality come together in perfect harmony.

Image Credits

Votive Panel from St Lambrecht

The Votive Panel from St Lambrecht was probably made for St Peter's Church in St Lambrecht near Murau. It is characterised by its wide-format composition of a historically unproven battle (King Louis of Hungary against the Ottomans, 1377) and a traditional devotional image. These are linked and interwoven by a saintly donor. The loud, dramatic turmoil of battle with fighting warriors is contrasted with the opposite pole of quiet devotion. As the mediator between God and man, Mary accepts the intercession and endowment of the female saints. Those seeking protection from various secular and religious classes have gathered under her mantle.

The mystical atmosphere is emphasised by the dark starry sky. Only the white castle looming in the background illuminates the two sce