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Reynolds' project also sees itself as an examination of the historical tradition of the itinerant trader, who, among other things, also sold fabrics made from flax linen. These traveling, mostly well-traveled “peddlers” often toured hundreds of kilometers across Europe on foot in order to bring their goods to remote settlements. These touring dealers, who were sometimes viewed with suspicion, were also accompanied by an important transfer of knowledge and culture. As cheaper competition to the local merchants, they were soon faced with massive restrictions that they tried to circumvent. Many of these traveling traders settled on their journeys for economic reasons, illustrating that migration is not a recent phenomenon.
The installation of an oversized, covered Dealer‘s Way is intended to set a temporary example for this tradition of itinerant trader, which is closely linked to the region. In Zelting, in the border area between Austria and Slovenia, it also commemorates the first cross-border migration movements. By embedding the historical cultivated plant flax, some of which comes from Mikl's own cultivation, Reynolds accentuates individual parts of the installation as a reminiscence of its once widespread cultivation.
![[Translate to English:] Grüne Wiese in der unteren Hälfe des Fotos mit einem Weg in der Mitte hin zu einem Flachszelt. In der oberen Hälfte sind am Wiesenrand Bäume im Hintergrund zu sehen wie darüber der blaue Himmel mit Wolken](/fileadmin/_processed_/1/0/csm_offene-felderben-reynoldswanderhndlerwegcben-reynolds2_1709889643_55a56a5dc3.jpg "Dealer´s Way, Benjamin Reynolds, 2024 | OPEN FIELDS")
