Publication is permitted exclusively in the context of announcements and reviews related to the exhibition. Please avoid any cropping of the images. Thank you for crediting the photographs according to the enclosed indications.
Image Credits
Duration
05.07. - 06.10.2024
Opening
04.07.2024 6pm
Press event
03.07.2024 11am - 12pm
Place of the press event
Kunsthaus Graz, Space01
Curators
Katrin Bucher Trantow, Alexandra Trost
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What is sacred to people? What are their rights, what is their duty? And where is this revealed? Searching for traces of the conditions and possibilities of agreement, for signs and locations of human life together, the artist and architect Azra Akšamija opens up protective spaces of different kinds. The works, which involve the public in the ‘Sanctuary’, range from identity-creating clothing both in the present and the future to a protective tent for refugees that can be individualised, and the communal creating and processing of recycled textiles.
The exhibition explores the concept of the ‘safe harbour’, turning the spotlight on social, ethical and ecological sustainability. Posing questions about our consumer economy, it provides us with tools with which we can take action ourselves through unbiased repurposing and productive acquisition. Put together for the Kuppelraum (Domed Room), the solo exhibition is also dedicated to the museum itself. It is seen as a protected space in a constant state of flux and functions as a place of negotiation set against a backdrop of climate and migration crises.
‘My art questions how disaffection can become empowerment.’ Azra Akšamija, who now teaches at MIT in Massachusetts and whose works have been exhibited at venues such as the Venice Biennale and the Sharjah Biennial, has long been well known in Graz. Having fled the war in Yugoslavia with her family, the artist grew up in Graz among other places, and exhibited her work many years ago in institutions such as the Forum Stadtpark. Her committed, socially critical and participatory works and her fruitful approach to constructions of identity on various levels have taken her to museums, mosques, churches and refugee camps, employing site-specific works. In 2018 and 2019, she exhibited at Kunsthaus Graz in the exhibition Faith Love Hope, and in 2019 in the show Kunst ⇆ Handwerk. The artist was subsequently awarded the Art Prize of the City of Graz in 2019.
The Kunsthaus Graz is now dedicating a solo exhibition to the artist, which at the same time is an attempt to reflect, in several focal areas, issues of property, of tradition versus appropriation, of sustainable handling of shareable resources, of knowledge transfer and the value of work towards a future worth protecting. The exhibition has been created in collaboration with local initiatives and encourages active participation. A catalogue that includes a range of essays and research material will accompany the exhibition.
Press release, ENG
Azra Akšamija. Sanctuary
Sporočilo za javnost, SLO
Azra Akšamija. Sanctuary
The artist Azra Akšamija
PHoto: Kunsthaus Graz/J.J. Kucek
Alexandra Trost (curator), Azra Akšamija (artist), Katrin Bucher Trantow (curator) and Andreja Hribernik (director Kunsthaus Graz) in the exhibition "Azra Akšamija. Sanctuary" at Space01
Photo: Kunsthaus Graz/J.J. Kucek
The artist Azra Akšamija with the two curators Alexandra Trost and Katrin Bucher Trantow (from left)
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Dietmar Offenhuber
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Dietmar Offenhuber
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary", with the artist
Photo: Dietmar Offenhuber
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Dietmar Offenhuber
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Kunsthaus Graz/J.J. Kucek
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Dietmar Offenhuber
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Dietmar Offenhuber
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Dietmar Offenhuber
Exhibition view "Azra Akšamija. Sanctuary"
Photo: Dietmar Offenhuber
More images
Azra Aksamija & Future Heritage Lab, T-Serai, 2019, installation view Biennale di Venezia 2021
Future Heritage Lab
Azra Aksamija & Future Heritage Lab, Coring America, 2022
Azra Aksamija
Azra Aksamija, Silk Road Works, 2021, installation view Biennale di Venezia, 2021
Lillian Kology, Courtesy of Azra Aksamija
Publication is permitted exclusively in the context of announcements and reviews related to the exhibition. Please avoid any cropping of the images. Thank you for crediting the photographs according to the enclosed indications.